51cm x 51cm
Reproduction of the German expressionist painter August Macke's Lady in the Green Jacket. The painting is probably regarded as one of Macke's best. In this case it has been executed in oils on canvass board with an inlaid mount under glass and a complimentary wooden frame.
This was originally completed by the artist during a stay at Lake Thun in 1913 and it shows an especially harmonious arrangement of form and a fine equilibration of colour. It measured 44cm x 43.5 cm and today it can be found in the Museum Ludwig, Cologne, Germany.
(SOLD UNDER COMMISSION)
Lady In Green Jacket August Macke Reproduction
51cm x 51cm
Reproduction of the German expressionist painter August Macke’s Lady in the Green Jacket. The painting is probably regarded as one of Macke’s best. In this case it has been executed in oils on canvass board with an inlaid mount under glass and a complimentary wooden frame.
This was originally completed by the artist during a stay at Lake Thun in 1913 and it shows an especially harmonious arrangement of form and a fine equilibration of colour. It measures 44cm x 43.5 cm and today it can be found in the Museum Ludwig, Cologne, Germany.
In 1911 Macke participated in the first exhibition by one of the earliest expressionist groups, Blauen Reiter (“Blue Rider”). In 1913 the artist participated in the first German autumn salon in Berlin, and in the same year organized an exhibition in Bonn of Rhineland expressionists.
When the First World War broke out, Macke was drafted and sent to the front lines. After only a few weeks, he was killed on the battlefield on September 26th, 1914, near Champagne, France.
His friend and fellow painter, Franz Marc wrote Macke’s obituary: “In a war we are all equal. But amongst a thousand brave men, one bullet has hit someone who cannot be replaced. His death means that a hand has been cut off a nation’s culture, an eye has been put out… we, the painters, know full well that with the loss of his harmony of colours German art will become paler by several shades and that is will acquire a drier and more lustreless note. More than anybody else, he gave the brightest and purest note to his colours, just as his entire personality was one of clarity and brightness.”
Tragically, Franz Marc’s own career as an artist came to an end when he was inducted into the military and killed on the battlefield in March of 1916.
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